Some projects, or more typically, parts of them, involve too many musicians for TSR to handle comfortably. The answer is simple: pack up the tapes or hard drives and schlep on over to one of NYC’s many great large recording studios. I’m comfortable working on a freelance basis at any of them, but there are a few I seem to find myself in more often. Here are some photos taken recently at the scoring sessions for the feature film “The Notorious Bettie Page” at Right Track A509 (also partially recorded at Clinton Studios), and two projects at Sear Sound,  with Peter Flint and Stewart Wallace. All of them were mixed at TSR.

click on the pix!